Physical Dimensions: w2170 x h980.
One can already see the careful attention to the atmospheric changes in taglia 40 h&m the landscape which will be further developed by the artist in later work.
They both have a slightly colourful history.
In 1869, Karl Eduard von Liphart, the central figure of the German expatriate art colony in Florence, recognized it as a youthful work by Leonardo da Vinci, one of the first attributions of a surviving work to the youthful Leonardo.Researchers came to a conclusion that when the Annunciation was x-rayed, Verrocchios work was evident (visible to them) while Leonardos angel was invisible.She understands what is being asked of her and is willing to allow it to happen for the greater good.Renaissance Religion and The Annunciation, this image of Mary is very clearly a product of its age and the faith which dominated that time and place.The Annunciation and Controversy, there are two versions of the picture.Setting, the setting of these paintings of the annunciation is often in an enclosed garden hortus conclusus a reference to the Christ and His bride from Song of Songs (cif Song of Songs 4:12) hence its significance.He was Leonardo da Vincis master.It is reinforces the otherworldly nature of the picture, but also interestingly takes it outside of the realms of reality, potentially placing it amongst myths and legends rather than history.On the whole Mary is placed quite literally on the right (as befits the blessed Virgin) whilst Gabriel is painted on the left.It is typical of many depictions of the same subject matter from the Renaissance period, incorporating features that would be instantly recognisable to its audience of the time.As stated before, Mary is the centre of the painting because of her role in Catholicism and because she is second in stature only to the godhead.
Verrocchio used lead paint and heavy brush strokes whilst Da Vinci used light strokes and no lead.The first version was 'discovered' in 1867 and is now identified as the work of Leonardo da Vinci and his master Andrea del Verrocchio.Verrocchio used lead-based paint and heavy brush strokes.In part this is because she was chosen by God for this unique task, but in Catholicism Mary takes on an elevated significance.Details, title: Annunciation, creator: Leonardo da Vinci, date Created: Around 1472.With the mountains and wider countryside in the background, it could appear that the world of Mary, is a wide one.The Virgin Mary, in contrast to the Mary that was 'greatly troubled' in the Bible (cif Luke 1:29 NIV) Da Vinci's Mary is calm and distant, and childlike, with her hand resting across the book set on a lectern in front of her.Her pose, with knees evenly spread and covered with broad and supple drapery, gives her a strong monumental character.This separates Da Vinci's work from other depictions of the same subject matter from the Renaissance period.
Leonardo da VinciAround 1472, uffizi Gallery, from the collection.